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I regretted that the old picture writing had gradually disappeared instead of becoming the source of a kind of international picture language which would be able to bring together all kinds of people. London, Hyphen Press, The study of Aztec pictographies, indeed, provides a solid background for rethinking writing and typography according to an approach non alphabetically grounded. By using simplified pictograms as components, Isotype bypassed verbal language to a great extent, creating the potential for international understanding of biological, social and economic correlations. A group of designers worked together there, including Marie Neurath and Gerd Arntz, who did most to define the style of pictograms used in Isotype. However, despite its consistency and rigour, Isotype was not a complete language, and Neurath knew that it never could be. The principal motive of Isotype was educational; its creators did not intend to devise a definitive set of signs to depict the world, and they never fully codified the rules of their system.
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