If the strings are too big you will not have the necessary power, control and ability to play fast and bend and shake as easily as Stevie did. Another good example of how powerful string control makes great tone is Kirk Fletcher. You need a high string action to allow big strings to vibrate freely without buzzing. You need to be able to play quickly with lots of bending without getting tired after 3 minutes of Texas Flood. Stevie rarely played with only one amp. This is a big topic itself, we have to leave it out for now.
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This is exactly what the amp is made for, being played unmiked in in a gospel band in a seat church every Sunday. Warning nr 1 Weight. Warning nr 2 Volume and clean headroom. In a 50 year old vintage amp the condition of the speakers varies a lot. Beware of the weight, though. The plate voltage will increase a little when two of the tubes are removed.
It was on August 27 that the news broke. Five fatalities, including a musician. At Four Bell B Jet Ranger helicopters awaited the artists and their respective entourages following the show. The caravan of blues stars departed from Alpine Valley at two-minute intervals.
Because of him the Vibroverb has become the most expensive and sought after blackface amp on the vintage amp market. Though the Vibroverb is closely associated with SRV you can reproduce his tone with most Fender amps given the right speakers. Given the hype and popularity, these few Vibroverbs are extremly valuable and collectable. So, what is so special with the Vibroverb?